In a very poignant moment in Satyajit Ray’s debut masterpiece Pather Panchali (1955), Sarbajaya, the middle-aged mother who manages to hold together her impoverished family against all odds, notice
Way back in 1980 three school friends went to watch the shooting of Amitabh Bachchan Neetu Singh-starrer Yaraana, at the Netaji Indoor Stadium in Calcutta.
What is it that transforms seemingly ‘cool’ youngsters from the West brought up on liberal ethos to suddenly abandon their lifestyles and seek meaning in radical Islam and join the ISIS?
The big bad city had always acted as a temptress to the vulnerable youth from the small town or village who comes seeking his livelihood in its labyrinths.
Edward Said, a Palestinian-American public intellectual and professor of literature at Columbia University, had once narrated an interesting anecdote in an interview: Before the advent of the compu
In the month before his film was slated to be released, Vinay Pradhan (name changed), a debutant filmmaker was in cloud nine.
Sometime during the mid-’70s Devyani Chaubal, a vitriolic gossip columnist known for her acerbic weekly columns that she wrote for the popular Star & Style film magazine, was allegedly assaulte
Ill-informed and narrow-minded perspective of strident Hindu practitioners who refuse to acknowledge the plurality of Indian civilisation and insist on a monolithic and a bigoted version of Hin
Long back in an interview, Ram Gopal Varma had narrated how his mother, despite his success, was still worried about him, constantly fearing that he would be eaten up by the ‘big bad world’.
Wallowing in a heady mix of world and Indian cinema viewed on Netflix, Amazon Prime and different film festivals, and dipping into your own collection contained in multiple hard disks, one is sudde